Movie Title | Srikanth |
---|---|
Starring | Rajkummar Rao, Jyotika, Alaya F, Sharad Kelkar, Jameel Khan |
Directed by | Tushar Hiranandani |
Produced by | Bhushan Kumar, Krishan Kumar, Nidhi Parmar Hiranandani |
Co-Producer | Shiv Chanana |
President (T-Series) | Neeraj Kalyan |
Writer | Jagdeep Siddhu, Sumit Purohit |
Director of Photography | Pratham Mehta |
Executive Producer | Ajeet Singh |
Editors | Debasmita Mitra, Sanjay Sankla |
Music | Anand Milind, Tanishk Bagchi, Sachet-Parampara, Ved Sharma |
Lyrics | Majrooh Sultanpuri, Anand Milind, Shloke Lal, Yogesh Dubey, Kunaal Verma |
Costume Designer | Rohit Chaturvedi |
Key Makeup | Designer Pattanam Rasheed |
Sound Designer | P M Satheesh, Manoj M Goswami |
Production Design | Tanvi Leena Patil |
Original Background Score | Ishaan Chhabra |
Action Director | Aejaz Gulab |
Line Producer | Gaurav Rajain |
Casting Director | Abhimanyu Ray |
Associate Directors | Kunal Gupta, Shivraj Waichal |
Choreographer | Punit J Pathak |
Post Production | The Post Co |
Project Head (T-Series) | Heett Savla |
Film & Content Team (T-Series) | Alok Kumar Shukla, Shraddha Shrikant Ghanekar, Meghha Chheda |
Marketing & Promotions (T-Series) | Shivam Chanana, Raj Chanana, Prashant Shetty, Mita Choudhary, Rahul Dubey, Amol Bhamare, Heett Savla |
Music On | T-Series |
DI | Prime Focus |
VFX | Post House |
PR Agency | Communique Film PR |
Digital Marketing | White Rivers Media |
Publicity Design | Mantraa Luminosity |
Visual Promotions | Just Right Studioz NX |
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Srikanth (2024): A Biopic with Heart, But Misses the Mark on Depth
“Srikanth,” the recently released biopic chronicling the extraordinary life of Indian industrialist Srikanth Bolla, is a film brimming with good intentions. Directed by a talented team and anchored by a stellar performance from Rajkummar Rao, the movie endeavors to celebrate the indomitable spirit of its titular character. However, despite its noble aspirations, “Srikanth” falls short of delivering a truly immersive and insightful cinematic experience.
The narrative unfolds along familiar biopic tropes, tracing Srikanth’s journey from humble beginnings to unparalleled success. Rao’s portrayal of Srikanth is undeniably heartfelt, capturing the essence of his resilience and ambition with commendable authenticity. Supported by a capable ensemble cast, including Jyothika and Alaya F, the film succeeds in portraying the external challenges faced by its protagonist.
Yet, where “Srikanth” falters is in its lack of depth and nuance. The screenplay opts for surface-level storytelling, skimming over the intricacies of Srikanth’s character and experiences. While we witness the external obstacles he overcomes, the film fails to explore the internal struggles, doubts, and motivations that shaped his journey. As a result, the emotional impact feels somewhat diluted, robbing the narrative of the depth it deserves.
Furthermore, “Srikanth” disappoints in its portrayal of Srikanth’s entrepreneurial endeavors. The film glosses over the complexities of building a successful enterprise, particularly for a visually impaired individual, opting instead for broad strokes of inspiration. This oversimplification diminishes the authenticity of Srikanth’s achievements and the challenges he faced along the way.
In conclusion, “Srikanth” is a watchable film buoyed by Rao’s compelling performance and the inherent inspiration of Srikanth Bolla’s story. However, its reluctance to delve deeper into its subject matter prevents it from reaching its full potential. While it offers glimpses of greatness, “Srikanth” ultimately falls short of delivering the immersive and insightful biopic it aims to be.