| Title | Byri |
|---|---|
| Release Date | 23 February |
| Platform | Theaters |
| Director | John Glady |
| Starring | Syed Majeed, Meghana Ellen, Viji Sekar, John Glady, Saranya Ravichandran, Ramesh Arumugam, Vinu Lawrence, Anand, Karthick Prasanna, Francis Kiruba, Rajan |
| Music | Arun Raj |
| Producer | V. Durai Raj |
| DOP | A.V. Vasantha Kumar |
| Editor | R.S. Sathish Kumar |
| VFX | Sekar Murugan |
| Lyrics | Karthik Netha, Mohan Rajan, Pon Manoban |
| Art | Anish |
| Fight Master | Vicky |
| Choreography | Srikrish |
| Costume Design | Dinesh ft |
| SFX | Sathish |
| Sound Design | Raja Nallaiah |
| DI | Get in Dream Studios |
| Executive Producer | PON MANOBAN, Dinesh Kumar |
| Co Director | Ganga Ram |
| Associate Director | Panneer Selvam |
| First Assistants | Mahesh Casber, Jaiso’n |
| Production Manager | S. Mariyappan |
| Lyric Video | Fix it in Post |
| Promotion Stills | A.J.J Jovieh |
| Designs | Design Point |
| PRO | Nikil Murugan |
| Trailer Link | Tips Tamil |
| Social Media | Tips Official |
| Jhankar Gaane | |
| 90s Gaane | |
| Tips Films | |
| Tips Punjabi | |
| Tips Bhojpuri | |
| Tips Marathi | |
| Bhakti Prem | |
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Soaring with Loss: A Review of Byri (2024)
John Glady’s Byri takes flight not on the backs of commercial jets, but on the delicate wings of racing pigeons. This 2024 release isn’t your typical high-octane action flick. Instead, it’s a poignant exploration of grief, family, and the solace found in unexpected places.
The story centers around a recently widowed mother, played with quiet strength by an unnamed actress (early reports suggest she’s a newcomer). We see her world tilt on its axis after her husband’s death, leaving a chasm between her and their son. The boy, consumed by grief, finds solace in the competitive world of pigeon racing. Here, Glady paints a vivid picture – the bustling pigeon lofts, the meticulous care for the birds, and the silent camaraderie amongst fellow racers.
Cinematographer A.V. Vasantha Kumar excels in capturing the raw energy of the races, the frantic fluttering of wings a stark contrast to the stillness of the mother’s grief. The film’s world feels grounded, reminiscent of Vetri Maaran’s Aadukalam and Vada Chennai. Some critics have even drawn comparisons to the pulsating energy of City of God.
However, Byri isn’t without its flaws. While the film excels in world-building, some have pointed out a lack of genuine connection between the characters and their feathered companions. The focus on the competitive aspect of pigeon racing can overshadow the emotional core of the story. Additionally, the acting by some of the supporting cast has been described as uneven.
Despite these shortcomings, Byri is a compelling watch. It’s a film that lingers long after the credits roll, prompting reflection on loss, resilience, and the unexpected ways we find solace in the face of grief. If you’re looking for a visually-striking film with a powerful emotional core, Byri is a worthwhile journey, even if it doesn’t quite achieve a perfect landing.