| Title | Pyar Ke Do Naam |
|---|---|
| Presented by | Reliance Entertainment |
| Banner | Jocular Entertainments |
| Directed by | Danish Javed |
| Produced by | – Vijay Goel – Danish Javed – Co-produced by Shahab Allahabadi |
| Starring | – Bhavya Sachdeva – Ankita Sahu – Achal Tankwal – Kanika Gauttam – Riney Aryaa – Namita Lal – Roma Navani – Dipti Mishra – Sherani Sb – Abdur Rahman – F. S. Shirani |
| Director of Photography | Shakeel Ansari, Umesh Rai Chand |
| Writer | Danish Javed |
| Art Director | Asad Ahmad |
| Editor | Atit Jaideo |
| Music | Anjjan Bhattacharya, Shabbir Ahmed |
| Lyrics | – Danish Javed – Waseem Barelvi |
| Singers | – Javed Ali – Ritu Pathak – Raja Hasan – Swati Sharma – Anjjan Bhattacharya – Anupriya Chatterjee |
| Executive Producer | Parvez Alam Khan |
| Choreographer | Sushma Sunam |
| Costume Designer | Shefali Mishra |
| Sound Recordist | Ramanuj Chowdhary |
| Marketing | Dimple Tisha, Nikita |
| PRO | Ashwani Shukla |
| Outdoor Advertising | |
| Special Thanks | – Gautam Goel – Monika Sharma – Farooq Siddiqui |
| Release Date | Trailer out now |
Pyar Ke Do Naam: A Love Story That Loses Its Way
Let me start by saying that Pyar Ke Do Naam had all the ingredients for a captivating romance. The premise, exploring the clash between commitment and fleeting passion, sounded promising. However, somewhere along the way, the film veers off course, ending up as a forgettable mess.
The narrative centers around Kaira and Aryan, portrayed by Bhavya Sachdeva and Ankita Sahu, respectively. Kaira, shaped by her mother’s failed love story, believes in unwavering commitment. Aryan, on the contrary, thrives on the excitement of the moment. When Kaira uncovers Aryan’s true feelings, their world is turned upside down.
Where the film falls short is in its execution. The screenplay, penned by Danish Javed, feels half-baked. The characters, especially the supporting ones, lack depth, and the attempts at humor and emotion miss the mark. It’s challenging to truly empathize with Kaira and Aryan’s struggles when their portrayal feels superficial.
The performances are serviceable, with Sachdeva embodying Kaira’s independence admirably, while Sahu does her best with the material given for Aryan. However, the music by Anjjan Bhattacharya and Shabbir Ahmed fails to leave a lasting impression, and the technical aspects like cinematography and editing are nothing to write home about.
There’s a glimmer of potential buried within Pyar Ke Do Naam. The questions it raises about love are pertinent, but unfortunately, the film’s clumsy execution overshadows its strengths. If you’re in the mood for a love story that will linger in your heart, I’d suggest revisiting a classic Bollywood romance instead.
In conclusion, Pyar Ke Do Naam falls short of its promise, leaving audiences longing for a more fulfilling cinematic experience.